{"product_id":"walter-conducts-mahler-symphony-no-5-1947-pasc382","title":"WALTER conducts Mahler, Symphony No. 5 (1947) - PASC382","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eMAHLER \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 5\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e \u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in 1947\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003e Total duration: 61:29 \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003ePhilharmonic-Symphony Orchestra of New York\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eBruno Walter \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003econductor\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5fFanfare Review578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5fWith his transfer of the Fifth Symphony, Rose finally reaps sonic gold578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eHere we have a brace of remasterings by Andrew\nRose of several of Bruno Walter’s legendary Mahler symphony recordings;\nonly the monaural New York Philharmonic versions of the First and Fourth\nsymphonies are not included. The results are mixed, with no clear\npattern of superiority or deficiency emerging. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eIn the case of the First and the Ninth symphonies,\nI compared this Pristine issue against Sony’s 1994 “Bruno Walter\nEdition” issue; the recent 24 bit remasterings in the seven-CD set of\nall of Walter’s Mahler recordings for Columbia (see the Classical Hall\nof Fame review by Christopher Abbott in 35:6), and Japanese Blu-spec\nissues (once again kindly lent to me by friend and \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eFanfare\u003c\/span\u003e\u003cspan class=\"TIMES\"\u003e\nsubscriber Bob Alps). In the case of the First, I had two different\nBlu-spec discs available to me, one pressed on gold rather than\naluminum, with the more expensive metallic base advertised as providing\nmore enhanced sound. I found virtually no difference between the two\ndomestic issues on the one hand, and the two Japanese issues on the\nother. Between those two pairs, the preference is probably more\nsubjective than objective. The Japanese versions are mastered at a\nhigher level, so that they have a more immediate presence; however, that\nbrings with it more background noise (particularly hiss in the high\ntreble frequencies) and a slightly less well defined (albeit more\npowerful) bass register. The domestic versions have a bit less punch,\nbut have whisper-quiet backgrounds and crisper (if less thunderous)\nbass. Where the Japanese versions score points are in passages such as\nthe opening of the scherzo of the First, in which the unison lower\nstrings have more oomph and color without sacrificing clarity. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eHow do the Pristine remasterings stack up against\nthis competition? Given that Rose works from LP copies instead of master\ntapes, remarkably well, but in the end his issue of the First takes a\nvery honorable third place. His sound palette falls about midway between\nthe domestic and Japanese Sony issues. He manages to create a sense of\nslightly more body than in the domestic Sony discs, but not as much as\nin the Japanese ones; but in so doing he loses some of the clarity of\nthe bass lines in the domestic versions without gaining all the\ncompensating power of the Japanese ones. It also simply sounds too\nartificial at times; the opening of the scherzo is again a key\nindicator, as the lower strings have an unnatural ambience that makes\nthem sound both more distant and less distinct. Furthermore, there is a\nslight but audible low-frequency rumble from the LP present in the\nPristine remastering that afflicts none of its rivals. Rather than\nstriking a happy medium between two extremes, he gets only part of the\nstrengths of each side, along with part of the weaknesses as well. I for\none would prefer either end of the spectrum to the middle. I wish that\nRose had devoted his attentions instead to Walter’s monaural 1954 New\nYork Philharmonic recording, which might well have yielded far more\npromising results. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eBy contrast, the Pristine transfer of the Ninth is\nfar more competitive, and arguably even the one of choice. Once again,\nSony’s domestic and Japanese issues present contrasting polarities of\nremastering philosophies. In this instance, however, the Japanese effort\nis a major miscalculation, with overbearing high frequency tape hiss\nand extremely unpleasant harshness in the upper registers. (Did the\nfolks at Opus Kura temporarily hijack Sony in Japan?) By contrast, the\ndomestic issues in the 1994 Bruno Walter Edition and the 2012 24-bit\nremastering (again, no real difference between them) present an honest,\nclear sound portrait with minimal tape hiss, and just a touch of the\nclinically antiseptic lack of definition that sometimes has been the\ndisadvantage of the digital medium. Happily, Rose here manages to go\nmore or less toe-to-toe with the domestic Sony issues for clarity and\npresence of sound, while retaining the greater warmth of analog LP\nissues and beefing up the bass. While the rival versions are more or\nless of equal worth in the two outer movements, Pristine has a slight\nbut clear advantage in the two middle movements. However, given that the\nseven-CD Sony set can be had for the same price or less than the two-CD\nPristine set, its purchase will commend itself to avid Mahlerians and\nWalterians rather than to more general collectors. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eAs for the Second symphony, here Rose went up\nagainst three different Sony remasterings: the original 1994 Bruno\nWalter Edition, a 1999 Japanese Sony DSD version, and a 2009 Japanese\nSony Blu-spec edition. The 1994 release was my one serious\ndisappointment in Sony’s BW Edition series; while a significant\nimprovement over the Odyssey CD issue and various preceding LP\nincarnations, it has a somewhat dry and underpowered bass register that\ndoes not faithfully reflect either Walter’s sonic palette or the\nacoustics of Carnegie Hall. It also still had the feeling of the sound\nbeing confined inside a cramped sonic box that needed to be opened up\nand aired out. The DSD version was the first to overcome that to some\nextent and do this recording a degree of justice, opening up the entire\nfrequency range in general and beefing up the bass in particular, but\nstill having an intangible but real sense of constriction remaining.\nThat edition is still in print and can be ordered from Japan through HMV\nJapan and similar outlets. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eThankfully, these limitations are abolished at\nlast by the 2009 Blu-spec version—and how! The results of that\nremastering are simply mind-boggling in their transformative scope; were\nit not for some residual background tape hiss, one could easily be\nfooled into thinking it to be a new SACD digital recording, with the\nsoloists, chorus, and orchestra at last bursting forth in unrestrained\nsplendor, grounded in a positively earth-shaking bass register. Alas,\nthat edition appears to be already out of print, though as I type these\nlines used copies still can be had from Japan for about $60-$100 through\nAmazon. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eNot surprisingly, this Pristine remastering is not\ncompetitive with either the DSD or Blu-spec versions from Japan—but\nthen, it is in print and costs considerably less as well. When compared\nto the 1994 Bruno Walter Edition, it holds its own. The sound is fuller,\nthe bass register stronger, and the boxiness partially opened up.\nHowever, I think that Rose slightly miscalculated here and added one\ndegree too much of resonance throughout the entire frequency range,\ncreating a noticeably artificial effect of a bit too much equalization.\nTaking the exact same approach, but slightly toned down, would have\nyielded superior results with no drawbacks. Still, if I did not have the\ntwo Japanese issues of this recording in my collection, I would want to\nhave this one as an alternative—or should I say antidote?—to the BW\nEdition release. Rose does score two additional positive points with his\nversion: He puts the entire performance on one CD (Sony’s failure to do\nso in any of its releases is positively maddening), and he inserts an\nextra track partway through the finale, so that one does not have to\nscroll through a single track lasting over half an hour in order to get\nto the mighty final climax. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eWith his transfer of the Fifth Symphony, Rose\nfinally reaps sonic gold. According to booklet notes by producer Dennis\nD. Rooney in the 1994 Sony Bruno Walter Edition release, the performance\nwas originally recorded at 33 1\/3 rpm on 16-inch lacquer masters. It\nwas then dubbed for commercial release first onto 78 rpm acetate discs\nand later onto a master tape. The latter was, Rooney states, used for\nall LP and CD issues of the performance prior to the BW Edition, which\nreturned to the lacquer masters. Unfortunately, those had suffered\nabrasive damage in the intervening years, so that the new issue was\nafflicted at points with patches of loud scratches. Despite some\nimprovement in the sound (though rather less than touted in those\nbooklet notes), I found the extraneous noise so painful that my\npreference remained with the 1991 digital remastering in the preceding\n“Masterworks Portrait” series. It was only with the appearance last year\nof the aforementioned seven-CD set by Sony that a truly listenable\nedition of this recording finally appeared, that did some justice to the\nperformance. Even so, that release retains a very dry acoustic, flat\nand lacking in sheen, with an overly subdued bass register. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"B\"\u003e\n\u003cspan class=\"TIMES\"\u003eRose has managed to correct and compensate for\nthat to a surprising degree. While no one will mistake this for a\nhigh-fidelity recording, the orchestral sound now has far more presence\nand color, with a greatly strengthened bass register. At a few\npoints—most noticeably, the opening trumpet fanfare of the first\nmovement—the sonic retouching is overly apparent and the added ambience\ndraws undue attention to itself, but such moments are few and readily\nacceptable for the acoustic wizardry worked throughout the whole. For\nthe first time, I can listen to this performance with real pleasure,\nrather than a somewhat grudging sense of obligation, and for that I am\nincalculably in Rose’s debt. \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"Br\"\u003e\n\u003cspan class=\"TIMES\"\u003eAs always with Pristine, the packaging is bare\nbones, and notes must be downloaded from Pristine’s website. This issue\nof the Fifth belongs in the collection of every Mahlerite; the Ninth is\nalso well recommended, and the Second is quite respectable, leaving only\nthe First as a relative disappointment. Now, on for Pristine to the\nFourth Symphony and \u003c\/span\u003e\u003cspan class=\"TIMESi\"\u003eDas Lied von der Erde! \u003c\/span\u003e\u003cspan class=\"TIMESb\"\u003eJames A. Altena \u003c\/span\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC382.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp class=\"bodybig\" align=\"center\"\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cem\u003eBruno Walter's Mahler 5: \"First class in every way\" (The Gramophone)\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"bodymid\" align=\"center\"\u003e\u003cem\u003e \u003cspan style=\"font-size: 18px;\"\u003eA new XR remastering that sounds truly incredible - for any recording of this vintage!\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"body\"\u003eThis recording, made at the end of the 78rpm direct-to-disc era, both benefits and suffers as a result, as has been clear from previous issues. The Philips LP referred to in our Gramophone review struggled with a lack of clarity, especially at the top end, whilst later CD issues have suffered a surfeit of surface noise. No previous issue has successfully tackled the somewhat constricted sonics of the original recordings in the manner that this new 32-bit XR remastering has succeeded in doing, unlocking the broad sweep both of Mahler and Walter's collective visions. Rebalancing the orchestral tone has revealed a fuller and more glorious sound than I had dared to anticipate in a remastering process that has taken on numerous incarnations since I began it eight months ago.\u003c\/p\u003e\n\u003cp class=\"body\"\u003e\u003cem\u003eAndrew Rose\u003c\/em\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan class=\"bodybigblue\"\u003e\u003cstrong\u003eMAHLER\u003c\/strong\u003e Symphony No. 5\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"body\"\u003e\u003cstrong\u003ePhilharmonic-Symphony Orchestra of New York\u003c\/strong\u003e \u003cbr\u003e \u003cstrong\u003eBruno Walter \u003c\/strong\u003e conductor\u003c\/span\u003e\u003cspan class=\"bodymidarial\"\u003e\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003cspan class=\"bodymidarial\"\u003e Recorded 10 February 1947\u003cbr\u003e Carnegie Hall, New York\u003cbr\u003e First issued as Columbia 78rpm album MM 718\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eXR remastering by Andrew Rose at Pristine Audio, July 2012-March 2013\u003cbr\u003e Cover artwork based on a photograph of Bruno Walter\u003cbr\u003e \u003cbr\u003e Total duration: 61:29 \u003cbr\u003e\u003cspan class=\"bodymidarial\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC382.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC382.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_labelfb55cd020f0643f08418183279e63a5fHistoric Review578a9379d1e540bd96d26f03a79628d9tab4_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab4_contentfb55cd020f0643f08418183279e63a5f\u003cp class=\"bodybigblue\"\u003e\u003cstrong\u003eREVIEW Symphony No. 5\u003c\/strong\u003e, 1957 UK LP issue\u003c\/p\u003e\u003cp class=\"body\"\u003eIn THE GRAMOPHONE for November, 1953, I wrote about this\nsymphony at some length, expressing in general a degree of doubt as to\nits total coherence. The enormous structure, however, could scarcely be\ngiven a better chance of making its multitudinous points than on this\nnew set of discs, which are first class in every way. \u003cbr\u003e \u003cbr\u003e Walter\ntakes very great care, in particular, over accentuation, over the\nshaping of every one of Mahler's phrases. The result is often to propel\nthe music when it stands most in need of propulsion: not all\nperformances disclose a rhythmic shape to a cloud of notes as clearly as\nthis one. Particularly does the Scherzo benefit; and the alert reading\nresults not merely in a winning effect but also in a practical advantage\n- the Adagietto can then be accommodated on the same side, leaving the\nwhole third side of the set available for the Finale, with obvious\nengineering advantages. \u003cbr\u003e \u003cbr\u003e Throughout the players respond readily\nnot only to Walter's forward urge, but also to all the other demands of\nthe music. The brass are on top of their form, with superbly confident\ntrumpets and rich-sounding trombones; so are the strings, with dash,\nunanimity, and, particularly in the Adagietto, a very full quality of\ntone. This movement does to some extent lack a clear reproduction of the\nimportant harp part; but the previous Scherzo always makes clear the at\nleast equally important solo horn part, here most beautifully played. \u003cbr\u003e \u003cbr\u003e\nThe recording is sonorous, even in the severest of Mahler's climaxes,\nwhich it approaches without flinching. The sonority does not, save\nexceptionally, exclude clarity; and it establishes beyond a doubt the\nsuperiority of this version of the symphony to the earlier Nixa set.\nThat was very clearly recorded (again, curiously, except as to that\nelusive harp part), but the overall sound was not as warm as that of the\nnew Philips; nor did Scherchen achieve quite the felicities of\nphrasing, or, In places, the forward urge of Walter.\u003c\/p\u003e\u003cp\u003e\n\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"body\"\u003e\u003cstrong\u003eM.M., The Gramophone\u003c\/strong\u003e, December 1957 , \u003cem\u003eexcerpt\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Ambient Stereo 24-bit FLAC","offer_id":55010049589614,"sku":"zqu1789305565543","price":14.29,"currency_code":"USD","in_stock":true},{"title":"Ambient Stereo 16-bit FLAC","offer_id":55010049622382,"sku":"gnl1789305565544","price":8.68,"currency_code":"USD","in_stock":true},{"title":"Mono 16-bit FLAC","offer_id":55010049655150,"sku":"fmg1789305565545","price":9.7,"currency_code":"USD","in_stock":true},{"title":"320kbps Ambient Stereo MP3","offer_id":55010049687918,"sku":"gtb1789305565546","price":8.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/3986\/5966\/files\/walter-conducts-mahler-symphony-no-5-1947---pasc382_1.jpg?v=1789305572","url":"https:\/\/www.harborviewgoods.shop\/products\/walter-conducts-mahler-symphony-no-5-1947-pasc382","provider":"My Store","version":"1.0","type":"link"}