{"product_id":"sabajno-verdi-aida-1928-paco196","title":"SABAJNO Verdi: Aïda (1928) - PACO196","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eVERDI \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eAïda\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recording, 1928\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration: 2hr 21:01\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003eAïda – \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eDusolina Giannini\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eAmneris – \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eIrene Minghini-Cattaneo\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eRadamès – \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eAureliano Pertile\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eAmonasro – \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eGiovanni Inghilleri\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eChorus and Orchestra of La Scala, Milan\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eCarlo Sabajno\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PACO196.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\u003cstrong\u003eA LEGENDARY AÏDA\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\nThe ruinous competition between HMV and Columbia, before they were subsumed\ninto the new EMI in 1931, reached its apogee at the end of 1928, when both\nlabels recorded \u003cem\u003eAïda\u003c\/em\u003e in Milan in a matter of weeks. HMV made their\nrecording on 3 October - 15 December; meanwhile Columbia weighed in with \u003cem\u003eLa Traviata\u003c\/em\u003e (1 - 10 November), \u003cem\u003eAida\u003c\/em\u003e (10 - 20 November)\nand \u003cem\u003eLa Bohème\u003c\/em\u003e (24 November - 3 December).\n\u003c\/p\u003e\n\u003cp\u003e\nHistory has favoured the HMV \u003cem\u003eAïda\u003c\/em\u003e, mainly on account of the\nblazing portrayal of Radamès by Aureliano Pertile. Columbia fielded two\nparagons, Giannina Arangi-Lombardi as Aïda and Tancredi Pasero as Ramfis,\nas well as splendid interpreters of Azucena and Amonasro; but the clinching\nfactor was the conducting of HMV’s Carlo Sabajno, who got superb responses\nfrom the chorus and orchestra of La Scala, honed for almost a decade by\nArturo Toscanini. For Columbia, Lorenzo Molajoli had the same chorus but a\nmixed orchestra with some leading La Scala players including concertmaster\nEnrico Minetti.\n\u003c\/p\u003e\n\u003cp\u003e\nPertile (1885-1952) was the acknowledged leading tenor at La Scala during\nToscanini’s second spell in charge, the 1920s. Although his faults as a\nsinger will be apparent to any listener, they were far outweighed by his\nintelligence, histrionic talent and intensity as an interpreter. For him,\nrecitatives were never just conduits to the next aria: every word mattered.\nHe sang with a real mezza voce and a vast dynamic range; and although his\ntone was not conventionally alluring, he had such a clear idea of the\nbeauty of what he was conveying that he outshone most rivals.\n\u003c\/p\u003e\n\u003cp\u003e\nHis Aïda was a relative newcomer, Italo-American soprano Dusolina Giannini\n(1902-86), daughter of a tenor and a violinist and sister of a composer.\nShe and Pertile had triumphed together in their roles at Covent Garden\nearlier in 1928 and her clean singing of the title role on this set made\nher many friends. Her recording career lasted only until 1934 but she\nappeared on stage until the early 1950s. Her discs of art songs are prized.\n\u003c\/p\u003e\n\u003cp\u003e\nAs Amneris we hear one of the most exciting Italian mezzo-sopranos, Irene\nMinghini-Cattaneo (1892-1944), a favourite in South America and at La Scala\nand heard in the 1928 Covent Garden \u003cem\u003eAida\u003c\/em\u003e with Pertile and\nGiannini. She would sing Azucena on HMV’s \u003cem\u003eTrovatore\u003c\/em\u003e with Pertile\nand take contralto and dramatic soprano roles as well as her warhorses,\nretiring in 1941. A melancholy connection with Columbia’s \u003cem\u003eAïda\u003c\/em\u003e is\nthat the Amonasro of that set, Armando Borgioli, and Minghini-Cattaneo were\nboth killed by Allied bombing.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Amonasro here, Giovanni Inghilleri (1894-1959), enjoyed a long career\nand was still in good enough shape to take part in Renata Tebaldi’s first\nrecordings of \u003cem\u003eMadama Butterfly\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e. Before his\n1919 stage début he was a pianist and repetiteur; and he was regarded as\none of Italy’s most musical baritones. Much admired at Covent Garden and\nother European centres, he did not reach La Scala until 1941.\n\u003c\/p\u003e\n\u003cp\u003e\nThe basses make a contrasting pair. The fine basso cantante Luigi Manfrini\n(1880-1931) also featured in the HMV \u003cem\u003eBohème\u003c\/em\u003e and was Covent\nGarden’s Oroveso in 1928-29 to Ponselle’s Norma. He would have only one\nfull year of singing left, as he was taken ill in 1930 and retired at his\npeak. Guglielmo Masini, a secondo basso with a distinctive tone, took\nleading roles at lesser Italian houses and made solo and ensemble discs for\nHMV. His career lasted two decades until 1940.\n\u003c\/p\u003e\n\u003cp\u003e\nThe role of the Messenger was sung for both HMV and Columbia with\ncharacteristic panache by that great comprimario tenor Giuseppe Nessi\n(1887-1961), whose career endured for 49 years.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eTULLY POTTER\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cdiv\u003e\n\u003c\/div\u003e\n\u003cp\u003e\n\u003cstrong\u003eTechnical Note\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\nThe original recording of this \u003cem\u003eAïda\u003c\/em\u003e was well made for its time,\nwith both wide frequency and dynamic ranges. The latter may have been a bit\ntoo much for pickups of the day to handle, as HMV dubbed several sides,\nprobably because they failed the “wear test” and were likely to blast after\na couple playings. Tracks 3 and 6 of CD 1 and Track 5 of CD 2 were dubbings\n(indicated by the “T1” at the end of the take number, for “Transcription”).\nI have been able to ameliorate the sound degradation on these sides to some\ndegree through the use of the latest restoration tools in iZotope RX,\nparticularly their EQ Match and Deconstruct modules.\n\u003c\/p\u003e\n\u003cp\u003e\nAdditionally, Victor made its own dubbing of Side 5. For this track, I have\ndrawn upon an undubbed HMV source which, while noisier than the pre-war\n“Gold” label American Victor pressings I used for the rest of the transfer,\nwere at least better-sounding than the Victor dub.\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan style=\"font-size: 24px;\"\u003e\u003cb\u003eVERDI \u003c\/b\u003eAïda\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eCD 1 (79:30)\u003c\/b\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. Preludio (4:16)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e15 Dec 28; CF 2352-5 (HMV D 1595)\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eACT ONE\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003ci\u003eSCENE 1\n\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\n2. Sì, corre voce (1:38)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e6 Oct 28; CF 2345-1 (HMV D 1595)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n3. Se quel guerriero io fossi! . . . Celeste Aïda (4:15)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e6 Oct 28; CF 2344-1T1 (HMV D 1596)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n4. Quale insolita gioia nel tuo sguardo! (3:33)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e6 Oct 28; CF 2343-2 (HMV D 1596)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n5. Vieni, o diletta (4:23)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e19 Oct 28; CF 2390-1 (HMV D 1597)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n6. Sì: guerra e morte (4:06)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e19 Oct 28; CF 2391-1T1 (HMV D 1597)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n7. Ritorna vincitor! (2:50)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e18 Oct 28; CF 2383-1A (HMV D 1598)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n8. I sacri nomi di padre, d’amante (3:09)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e26 Oct 28; CF 2417-1 (HMV D 1598)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSCENE 2\n\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\n9. Immenso Fthà (3:18)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e26 Oct 28; CF 2416-1A (HMV D 1599)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n10. Danza sacra delle sacerdotesse (2:12)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e12 Oct 28; CF 2365-2 (HMV D 1599)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n11. Mortal diletto ai numi (4:59)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e6 Oct 28; CF 2346-1 (HMV D 1600)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eACT TWO\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003ci\u003eSCENE 1\n\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\n12. Chi mai fra gl’inni (4:32)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e25 Oct 28; CF 2414-2A (HMV D 1600)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n13. Vieni, sul crin (4:19)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e25 Oct 28; CF 2415-2A (HMV D 1601)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n14. Ebben, qual nuovo fremito (2:52)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e18 Oct 28; CF 2382-2 (HMV D 1601)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n15. Pietà ti prenda (4:26)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e24 Oct 28; CF 2413-2A (HMV D 1602)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSCENE 2\n\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\n16. Gloria all’Egitto (4:22)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e13 Oct 28; CF 2370-1 (HMV D 1602)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n17. Ballabile (4:32)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e19 Nov 28; CF 2353-4 (HMV D 1603)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n18. Vieni, o guerriero vindice (2:25)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e18 Oct 28; CF 2386-1 (HMV D 1603)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n19. Salvator della patria (3:05)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e19 Oct 28; CF 2392-2A (HMV D 1604)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n20. Quest’assisa ch’io vesto (4:37)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e24 Oct 28; CF 2412-2 (HMV D 1604)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n21. O Re, pei sacri numi (2:09)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e24 Oct 28; CF 2411-2A (HMV D 1605)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n22. Venga or la schiava (3:20)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e18 Oct 28; CF 2385-1A (HMV D 1605)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eCD 2 (61:31)\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cb\u003eACT THREE\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n1. O tu che sei d’Osiride (4:22)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e12 Oct 28; CF 2364-2A (HMV D 1606)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n2. Qui Radamès verrà! . . . O patria mia (2:41)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e18 Oct 28; CF 2384-1A (HMV D 1606)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n3. O cieli azzurri (3:56)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e26 Oct 28; CF 2418-2A (HMV D 1607)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n4. Ciel! mio padre! (3:46)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e16 Oct 28; CF 2381-1A (HMV D 1607)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n5. Su, dunque! sorgete, egizie coorti! (3:58)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e24 Oct 28; CF 2408-2AT1 (HMV D 1608)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n6. Pur ti riveggo (3:03)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e24 Oct 28; CF 2409-1 (HMV D 1608)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n7. Fuggiam gli ardori (4:12)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e24 Oct 28; CF 2410-2 (HMV D 1609)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n8. Aïda! Tu non m’ami (2:53)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e16 Oct 28; CF 2380-2A (HMV D 1609)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n9. Tu! Amonasro! (2:54)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e16 Oct 28; CF 2379-2A (HMV D 1610)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eACT FOUR\n\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003ci\u003eSCENE 1\n\u003c\/i\u003e\u003c\/p\u003e10. L’aborrita rivale a me sfuggia (4:21)\n\n\u003cp\u003e\n\u003cspan style=\"font-size: 12px;\"\u003e5 Oct 28; CF 2338-2A (HMV D 1610)\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n11. Ah, tu dei vivere! (4:34)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e5 Oct 28; CF 2339-1A (HMV D 1611)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n12. Ohimè! morir me sento! (4:07)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e13 Oct 28; CF 2369-2A (HMV D 1611)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n13. Radamès, Radamès (3:54)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e13 Oct 28; CF 2371-2A (HMV D 1612)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n14. Sacerdoti: compiste un delitto (2:38)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e15 Oct 28; CF 2372-2A [part] (HMV D 1612)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSCENE 2\n\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\n15. La fatal pietra (2:04)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e15 Oct 28; CF 2372-2A [part] (HMV D 1612)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n16. Presago il core (3:33)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e15 Oct 28; CF 2373-2A (HMV D 1613)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n17. O terra, addio (4:28)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003e15 Oct 28; CF 2374-1A (HMV D 1613)\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 16px;\"\u003eOrchestra and Chorus of Teatro alla Scala\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 16px;\"\u003eCarlo Sabajno\u003c\/span\u003e\u003c\/strong\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eCAST\u003c\/b\u003e\u003cbr\u003eAïda – \u003cstrong\u003eDusolina Giannini\u003c\/strong\u003e (soprano)\u003cbr\u003eAmneris – \u003cstrong\u003eIrene Minghini-Cattaneo\u003c\/strong\u003e (mezzo-soprano)\u003cbr\u003eRadamès – \u003cstrong\u003eAureliano Pertile\u003c\/strong\u003e (tenor)\u003cbr\u003eAmonasro – \u003cstrong\u003eGiovanni Inghilleri\u003c\/strong\u003e (baritone)\u003cbr\u003eIl Re (Pharoah) – \u003cstrong\u003eGuglielmo Masini\u003c\/strong\u003e (bass)\u003cbr\u003eRamfis – \u003cstrong\u003eLuigi Manfrini\u003c\/strong\u003e (bass)\u003cbr\u003eUn Messagero – \u003cstrong\u003eGiuseppe Nessi\u003c\/strong\u003e (tenor)\u003cbr\u003eSacerdotessa –\u003cstrong\u003e Cantoni\u003c\/strong\u003e (soprano)\n\u003c\/p\u003e\n\u003cp\u003e\nRecorded in the Teatro alla Scala, Milan\n\u003c\/p\u003e\n\u003cp\u003e\n\nProducer and Audio Restoration Engineer: Mark Obert-Thorn\n\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTotal duration: 2hr 21:01\u003c\/b\u003e\u003cbr\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PACO196.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PACO196.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":55010111914350,"sku":"kmi1789306707466","price":19.91,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":55010111947118,"sku":"iqp1789306707467","price":13.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/3986\/5966\/files\/sabajno-verdi-aida-1928---paco196_1.jpg?v=1789306714","url":"https:\/\/www.harborviewgoods.shop\/products\/sabajno-verdi-aida-1928-paco196","provider":"My Store","version":"1.0","type":"link"}