{"product_id":"mengelberg-columbia-concertgebouw-recordings-volume-1-1926-31-pasc595","title":"MENGELBERG Columbia Concertgebouw Recordings, Volume 1 (1926-31) - PASC595","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eJ S BACH\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003e Suite No. 2 for Flutes and Strings\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eJ C BACH \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSinfonia in B flat\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eLeonore Overtures 1 \u0026amp; 3, Coriolan Overture et al\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eWEBER \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eDer Freischütz, Euryanthe, Oberon - Overtures\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eLISZT \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eLes Préludes\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003emusic by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eCheubini, Mendelssohn, Berlioz\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eStudio recordings, 1926-31\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration:  2hr 33:24\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eConcertgebouw Orchestra of Amsterdam\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003econducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eWillem Mengelberg\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC595.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\nThis release, along with the Tchaikovsky recordings previously reissued on\nPristine PASC 511 and another volume to follow, will present Willem\nMengelberg’s complete recordings with his Concertgebouw Orchestra for the\nColumbia label. Early versions will be included as well as their remakes,\nalong with alternate takes (one of them in the next volume unpublished on\n78 rpm).\n\u003c\/p\u003e\n\u003cp\u003e\nMengelberg’s Columbias are significant in several respects: they include\nhis first recordings with the Concertgebouw, an ensemble whose partnership\nwith the conductor dated back to 1895; they feature the works of some\ncontemporary composers with whom Mengelberg had personal friendships and\nspecial insights, such as Mahler in our next volume; and they present some\nclassic interpretations, like Liszt’s \u003cem\u003eLes Préludes\u003c\/em\u003e, which have\nnever been bettered on disc.\n\u003c\/p\u003e\n\u003cp\u003e\nThe present volume focuses on works from the Baroque to the early Romantic\nera. The music of Johann Sebastian Bach was considered a Mengelberg\nspecialty during his career, and he was noted for his annual performances\nof the \u003cem\u003eSt. Matthew Passion\u003c\/em\u003e in Amsterdam. The conductor’s\nbig-orchestra Romantic era approach would not pass muster today – flute\nsolos are doubled, one commentator has reported hearing an organ in the\nbackground, and I’m sure there’s a glockenspiel tinkling away in the \u003cem\u003eBadinerie\u003c\/em\u003e \u003cem\u003e– \u003c\/em\u003eyet I think we are the poorer for it.\n\u003c\/p\u003e\n\u003cp\u003e\nOnly two movements of the \u003cem\u003eSinfonia\u003c\/em\u003e by Bach’s youngest son were\nrecorded by Columbia, but Mengelberg was able to complete it in a\nnear-contemporaneous recording with his “other” orchestra, the New York\nPhilharmonic (PASC 378), a reading which is surprisingly similar, not only\nin overall interpretive approach but also in orchestral execution.\nMengelberg was an early champion of the works of Cherubini, and his\nrecording of the \u003cem\u003eAnacreon\u003c\/em\u003e Overture reveals the composer’s\ninfluence on Beethoven.\n\u003c\/p\u003e\n\u003cp\u003e\nColumbia had already recorded Weingartner in the Beethoven Eighth Symphony\nearlier in the year (PASC 414), so Mengelberg had to make do with only a\nsingle movement as a filler side to the Cherubini. (He was later to record\nit complete for Telefunken.) It is replete with humorous detail, as well as\nsome inadvertent studio noises. The conductor also brings the grandiose\nhumor of the “Turkish March” to the fore in another recording he was later\nto remake for Telefunken.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Beethoven overtures taken down during these sessions are classic\nreadings which belie the caricature of the conductor as “Mangleberg”. Here,\nthere is no self-indulgent phrase-pulling, but rather finely judged rubato\nand rhetorical emphases. (And here again, as with the J. C. Bach, one can\ncompare the two Concertgebouw versions of the \u003cem\u003eEgmont\u003c\/em\u003e with a New\nYork recording made between them.)\n\u003c\/p\u003e\n\u003cp\u003e\nIn the Weber overtures, one can hear Mengelberg’s fusion of forward\nmomentum coupled to a sense of magical wonder. Listen, for example, to the\nbridge between the boisterous opening of the \u003cem\u003eEuryanthe\u003c\/em\u003e Overture\nand the lyrical second subject. Here, unlike many other interpreters,\nMengelberg takes an extremely broad tempo accompanied by tender string\nportamenti. It’s usually a throwaway transitional moment; but Mengelberg\nelevates it to something sublime.\n\u003c\/p\u003e\n\u003cp\u003e\nThe Mendelssohn Scherzo appeared in two different takes, the somewhat less\ntidy earlier one issued only in America. A cut is taken in both for disc\ntiming reasons, although the conductor performed it complete in a 1938 BBC\nSymphony broadcast (PASC 184). The two Berlioz excerpts were hampered by\ndim early sound and pitch drift (corrected here), but restoration reveals\nidiomatic performances. Arguably best of all is Mengelberg’s Liszt, with \u003cem\u003eLes Préludes\u003c\/em\u003e blazing in a grandeur only one born with a\nRomantic-era sensibility could truly grasp and convey. (Or, as Humpty\nDumpty observed to Alice, “\u003cem\u003eThere’s\u003c\/em\u003e glory for you!”)\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eMark Obert-Thorn\u003c\/strong\u003e\n\u003c\/p\u003e\n578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\n\n\u003cstrong\u003e\n\u003cspan style=\"font-size: 24px;\"\u003eMENGELBERG and the CONCERTGEBOUW ORCHESTRA\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-size: 24px;\"\u003eColumbia Recordings ∙\nVolume I\n\u003c\/span\u003e\n\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eCD 1 (74:55)\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003e\nJ. S. BACH: Suite No. 2 in B minor for Flutes and Strings, BWV 1067\u003c\/strong\u003e\u003cbr\u003e1. Ouverture: Grave; Allegro (8:04)\u003cbr\u003e2. Rondeau: Allegro (1:32)\u003cbr\u003e3. Sarabande: Andante (2:08)\u003cbr\u003e4. Bourées I and II (3:09)\u003cbr\u003e5. Polonaise: Moderato (3:26)\u003cbr\u003e6. Menuet: Allegretto (1:21)\u003cbr\u003e7. Badinerie: Allegro (1:39)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 June 1931 ∙ Matrices: WAX 6134-2, 6135-1, 6136-2, 6137-2, 6138-1\n\u0026amp; 6139-2 ∙ First issued on Columbia LX 134\/6\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJ. C. BACH (arr. Stein): Sinfonia in B flat, Op. 18, No. 2 (“Lucio\nSilla” Overture)\u003c\/strong\u003e\u003cbr\u003e8. 1st Mvt.: Allegro assai (2:55)\u003cbr\u003e9. 2nd Mvt.: Andante (4:11)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 10 June 1927 ∙ Matrices: WAX 2837-1 \u0026amp; 2838-1 ∙ First issued on\nColumbia L 2047\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e10. \u003cstrong\u003eCHERUBINI: Anacreon – Overture \u003c\/strong\u003e(9:39)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 10 June 1927 ∙ Matrices: WAX 2841-2, 2842-1 \u0026amp; 2843-1 ∙ First\nissued on Columbia L 1972\/3\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBEETHOVEN: Symphony No. 8 in F, Op. 93\u003c\/strong\u003e\u003cbr\u003e11. 2nd Mvt.: Allegretto scherzando (4:03)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 10 June 1927 ∙ Matrix: WAX 2844-1 ∙ First issued on Columbia L\n1973\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBEETHOVEN: The Ruins of Athens – Op.113\u003c\/strong\u003e\u003cbr\u003e12. No. 4 – Turkish March (2:44)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 31 May 1930 ∙ Matrix: WAX 5607-2 ∙ First issued on Columbia LX 130\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e13. \u003cstrong\u003eBEETHOVEN: Coriolan, Op. 62 – Overture \u003c\/strong\u003e(7:47)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 June 1931 ∙ Matrices: WAX 6128-2 \u0026amp; 6129-2 ∙ First issued on\nColumbia LX 167\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n14. \u003cstrong\u003eBEETHOVEN: Leonore Overture No. 1, Op. 138 \u003c\/strong\u003e(9:10)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 June 1931 ∙ Matrices: WAX 6132-1 \u0026amp; 6133-2 ∙ First issued on\nColumbia LX 160\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n15. \u003cstrong\u003eBEETHOVEN: Leonore Overture No. 3, Op. 72b \u003c\/strong\u003e(13:07)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 30 May 1930 ∙ Matrices: WAX 5593-2, 5594-2 \u0026amp; 5595-2 ∙ First\nissued on Columbia LX 129\/30\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-size: 12px;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eCD 2 (78:29)\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n1. \u003cstrong\u003eBEETHOVEN: Egmont, Op. 84 – Overture \u003c\/strong\u003e(8:05)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 2 June 1931 ∙ Matrices: WAX 6130-2 \u0026amp; 6131-2 ∙ First issued on\nColumbia LX 161\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n2. \u003cstrong\u003eWEBER: Der Freischütz – Overture \u003c\/strong\u003e(8:58)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 June 1931 ∙ Matrices: WAX 6126-2 \u0026amp; 6127-3 ∙ First issued on\nColumbia LX 154\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n3. \u003cstrong\u003eWEBER: Euryanthe – Overture \u003c\/strong\u003e(8:26)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 1 June 1931 ∙ Matrices: WAX 6124-2 \u0026amp; 6125-3 ∙ First issued on\nColumbia LX 157\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n4. \u003cstrong\u003eWEBER: Oberon – Overture \u003c\/strong\u003e(9:08)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 12 May 1928 ∙ Matrices: WAX 3642-3, 3643-2 \u0026amp; 3644-2 ∙ First\nissued on Columbia L 2312\/3\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cstrong\u003e\nMENDELSSOHN: A Midsummer Night’s Dream (Incidental Music), Op. 61\u003c\/strong\u003e\u003cbr\u003e5. No. 1 - Scherzo (3:46)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 12 May 1928 ∙ Matrix: WAX 3645-2 ∙ First issued on Columbia 9560\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\n\u003cstrong\u003eBERLIOZ: The Damnation of Faust, Op. 24\u003c\/strong\u003e\u003cbr\u003e6. Dance of the Sylphs (2:22)\u003cbr\u003e7. Hungarian March (3:21)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded May, 1926 ∙ Matrices: WAX 1543-3 \u0026amp; 1542-2 ∙ First issued on\nColumbia L 1810\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n8. \u003cstrong\u003eLISZT: Les Préludes, G97 \u003c\/strong\u003e(15:26)\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 11 June 1929 ∙ Matrices: WAX 5044-2, 5045-2, 5046-2 \u0026amp; 5047-2 ∙\nFirst issued on Columbia L 2362\/3\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cstrong\u003e\u003cem\u003e\u003cbr\u003eEarly Versions and Alternate Takes\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n9. \u003cstrong\u003eBEETHOVEN: Coriolan, Op. 62 – Overture \u003c\/strong\u003e(7:34)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded May, 1926 ∙ Matrices: WAX 1546-2 \u0026amp; 1547-2 ∙ First issued on\nColumbia L 1848\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n10. \u003cstrong\u003eBEETHOVEN: Egmont, Op. 84 – Overture \u003c\/strong\u003e(7:34)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded May, 1926 ∙ Matrices: WAX 1544-3 \u0026amp; 1545-1 ∙ First issued on\nColumbia L 1799\n\n\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\n\u003cstrong\u003e\nMENDELSSOHN: A Midsummer Night’s Dream (Incidental Music), Op. 61\u003c\/strong\u003e\u003cbr\u003e11. No. 1 - Scherzo (3:50)\u003cbr\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded 12 May 1928 ∙ Matrix: WAX 3645-1 ∙ First issued on American\nColumbia 67486-D\n\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eConcertgebouw Orchestra of Amsterdam\u003c\/b\u003e\u003cbr\u003econducted by \u003cb\u003eWillem Mengelberg\u003c\/b\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eProducer and Audio Restoration Engineer: \u003cb\u003eMark Obert-Thorn\n\u003c\/b\u003e\n\u003c\/p\u003e\u003cp\u003e\nSpecial thanks to Nathan Brown and Charles Niss for providing source\nmaterial\u003cbr\u003eAll recordings made in the Concertgebouw, Amsterdam\n\n\u003c\/p\u003e\u003cp\u003eTotal duration: \u003cb\u003e 2hr 33:24\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC595.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC595.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":55010079048046,"sku":"pex1789306380275","price":17.11,"currency_code":"USD","in_stock":true},{"title":"320kbps Mono MP3","offer_id":55010079080814,"sku":"oho1789306380276","price":14.83,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0915\/3986\/5966\/files\/mengelberg-columbia-concertgebouw-recordings-volume-1-1926-31---pasc595_1.jpg?v=1789306387","url":"https:\/\/www.harborviewgoods.shop\/products\/mengelberg-columbia-concertgebouw-recordings-volume-1-1926-31-pasc595","provider":"My Store","version":"1.0","type":"link"}